John Cooper: We wanted to write songs that were going to speak to people about what they were going
through and encourage them. The way we do that has changed over the years. But that has always been my goal.
The only reason [Skillet was formed] was to do outreach for my church. I thought we were going to do a couple of outreach
things, and I was going to keep playing in my other band. Then Skillet, for whatever reason, got some interest.
Truthfully, I've known this was my calling since I was 15. My life has been deeply affected by Christian music, and that's
why I'm passionate about it.
CMC: I'm sitting here reading through several fans' testimonies crediting Skillet's music with saving their
lives. This is heavy stuff.
Cooper: I ask God for my songs to touch people, and you never think it will happen in that big of
a way. Shows how much a man of faith I am. [Laughs] It's shocking to me how many young people have considered suicide and
been involved in cutting. It's especially shocking that a song could be so powerful that it would change somebody's mind.
The No. 1 best thing about my job is writing a song that would change someone's life. I'm absolutely honored and blessed by
CMC: Being such a pivotal part of so many people's dark hours, do you have to exercise any healthy boundaries
to keep from personalizing everybody's problems?
Cooper: When we opened up for Three Days Grace, or Flyleaf, there would be a lot of people drinking
and doing what people do at mainstream shows. When I talk to people at those concerts I will get really down. I have to come
back to the bus and talk it through with my wife and my band. The heartache they're going through, how dark their lives are,
just presses down on me. I will feel like it's up to me to save this person. But after I pray about it, I feel a rejuvenating
excitement about what God's called me to do. The only thing I can do about it is do Skillet—write songs about it, speak
it in shows, love on people and pray that God is doing His job. You can't feed the Holy Spirit to someone.
CMC: How do you sort through all the issues teens face today and decide which ones to write about?
At a show, a 14-year-old girl came to talk to me about how she literally wanted to kill herself. She was addicted to drugs
and alcohol because she hates the way she looks. She thinks she's fat, she's disgusted with herself and she's anorexic. I
thought, She's a cute young girl. How in the world could she think she looks so bad? That's when it hit me: This is not just
unattractive people dealing with self-image issues. This is a real issue. I wanted to write a song about it.
When I feel God calling me to write a song about cutting, or about suicide, I think, "How in the world do you do that without
being really cheesy? Or too preachy?" You gotta do something that has a message but feels genuine, not like you're coming
down on people or trying to be on a soapbox.
CMC: "It's Not Me, It's You" is a song of empowerment, a song of finding identity in Christ,
not in the way others treat us. Does a song like this allow teenagers to get out their angst over relationships gone bad in
a safe setting?
Cooper: Absolutely. There have been people in my life whose mission has been to make me feel like
a loser, like everything I do is wrong and I'm never going to amount to anything. Not until I was 18 did I realize how passionately
Jesus loves me, and that He loves me just the way I am. All of a sudden I felt better about myself. I'm not a hopeless case.
I'm not a screw-up.
This song is an empowerment song. [It says] "You know what? I've got clarity on this, and you're the reason it's bad. It's
CMC: "One Day Too Late" and "Don't Wake Me" sound like the "One Tree Hill" anthems for every
prom, graduation and homecoming of 2009-2010. Do you revisit drama-filled adolescent years for inspiration?
Cooper: For most people, we graduate high school, we go to college and we still feel like we're
in high school. [Laughs] You have kids and still feel like you're not that much older than high schoolers. The truth is, you
are. The other sad truth is, the problems we go through in high school affect us for the rest of our lives. I'm still coming
through what I dealt with in my childhood.
"Don't Wake Me" is very juvenile. It's very high school. Sometimes you unfortunately can't escape all those feelings.
"One Day Too Late" has a grown-up sentiment to it. I'm working so hard to do all the things I gotta do that I realize I
don't do the things I wanna do. I don't get the time with my kids that I really want to have because I'm so focused on my
work, on the bills, on the house payment. I just wish I could chill out and go hang with my wife and the people that I love.